Mohammed Rafi, (1924-1980), extremely popular Indian playback singer who was idolized during his lifetime. Born in Punjab, he trained under such eminent classical musicians as Ghulam Ali Khan in Lahore. After some radio success, his first recording for a film was in 1944, for the Punjabi Gul Baloch, under the musical director Shyam Sunder. Moving to Bombay, he began working with other music directors including S.
PERSAINGAN DAN PEMANGSAAN BIOLOGI PERIKANAN. Persaingan Dan Pemangsaan Bioper (1) PERSAINGAN DAN PEMANGSAAN (BIOPER).ppt. Huungan Biotik (Persaingan Dan Pemangsaan. PERSAINGAN DAN PEMANGSAAN BIOLOGI PERIKANAN 201- 060502 Prof.Dr.Ir.Arief Prajitno, MS 02, 09, 16, desember 2011 201- 060502 PERATURAN KULIAH BIOPER 1. Biologi perikanan persaingan dan pemangsaan. PERSAINGAN DAN PEMANGSAAN BIOLOGI PERIKANAN 201- 060502 Prof.Dr.Ir.Arief Prajitno, MS 02, 09, 16, desember 2011 201- 060502 PERATURAN KULIAH BIOPER KULIAH.
![Kuda Kuda](http://cpatds2.ru/dl2.png)
Burman, Shankar-Jaikishen and, in particular, the famous Naushad Ali, who quickly recognized his talent and gave him his breakthrough to nationwide success. Ukuran layar meizu m5. Adapting to a variety of light musical forms to suit the changing style of film music from the 1940s to the 1970s, Rafi's richly expressive, classically trained voice was perhaps used best in songs with a classical element, as in his work with Naushad for Baiju Bawra (1952) and Mughal-e-Azam (1952) and in highly lyrical pieces such as in Pyaasa (1957), Barsaat ki Raat (1960), and Kohinoor (1960). By the 1970s, with more Western disco-style music taking over the screen, his domination of the playback scene waned in favour of singers such as Kishore Kumar. Something of a legend in his lifetime, he has left behind a wealth of superb recordings.
• 'Wada Hai Kya Kya Hai Kasam' • 'Wada Han Wada' • 'Wada Karo Nahin Chodogi' • 'Wah Re Naujawan Aajkal Ke' • 'Wah Wah Khel Shuru Ho Gaya' • 'Wah Wah Kya Rang Hai' • 'Waqt Se Pahle' • 'Waqt Thoda Sa Abhi' • 'We Love Sunday' • 'Wo To Maine Jhooth Bola Tha' • 'Woh Aurat Hai' • 'Woh Ek Haseen Ladki' • 'Woh Ek Nigah Kya Mili' • 'Woh Hai Ek Behroopiya' • 'Woh Jharoke Se Jo Jhake' • 'Woh Jinki Nai Hai Duniya' • 'Woh Mere Peechhe Padi Huyi Hai' • 'Woh Meri Taraf Yun Chale Aa Rahe' • 'Woh Shaam Kuch Ajeeb Thi' • 'Woh Ek Dost Jo Mujko Pyara Lagta Hain' Y [ ]. • 'Zamana To Hai Naukar Biwi Ka' • 'Zamane Mein Koi Hamara Nahin' • 'Zaroorat Hai Zaroorat Hai' • 'Zidhar Dekhoon Teri Tasveer' • 'Zindagi Aa Raha Hoon Main' • ' • 'Zindagi Hansne Gane Ke Liye Hai' • 'Zindagi Haseen Hai' • 'Zindagi Hasin Hai' • 'Zindagi Imtehaan Leti Hai' • 'Zindagi Ka Safar' • 'Zindagi Ki Yahi Reet Hai' • 'Zindagi Kya Hai Ik Lateefa Hai' • 'Zindagi Milke Bitayenge' • 'Zindagi Pyar Ka Geet (Male)' • 'Zindagi Yeh Kaisi Hai' • 'Zindagi Yeh Usi Ki Hai' • 'Zindagi-E-Zindagi' • 'Zindagi ke safar' References [ ].
![Kuda Kuda](https://a10.gaanacdn.com/images/albums/75/561175/crop_175x175_561175.jpg)
About Mohd Rafi 1924-1980. Aa Lag Ja Gale Mere Lehrake Koi Shikwa Gila Na Rahe-Agar. Aur Kuchh Der Thehar Aur Kuchh Dera Na Ja-Aakhiri Khat; Aurat Ke Dil Par.